Famill Rose

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May 26th, 2009 admin Leave a comment Go to comments

Oriental Ceramics entry into China was a contemporary of the Roman civilization. It is one of the oldest arts of the Far East and the development sample consistent until the nineteenth century AD.

On cultural background of China and the knowledge of customs, rites and religions, must be understood to appreciate this art and what it means.

The symbolism of the Chinese decoration is inexhaustible. It is a story wrapped in each piece of trim, understandable only to the student of this art. A set of books by example, is emblematic of the award.

Cintas in the bow-knots in the books, wooden frames and baskets of flowers to give to these emblems religious. The dragon, a monster of great importance, is an emblem of divine power. The Chinese are by nature a lover of flowers and all natural beauty.

The art of pottery styles in China are designated by the names of ruling dynasties, including the last two, the Ming and Qing dynasties, are the most important for designers today, because styles are almost the only examples of what is available to the general public. The first production found only in museums or private collections of value. The major dynasties in which the pottery and porcelain have been produced are:

960-1127: Northern Sung: Literature and printing.

1127-1280: Southern Sung's golden age of landscape painting and ceramics. First porcelain to imitate the form of bronze.

1280-1368: Yuan-Mongolian: continue the tradition.

1368-1643: Ming: Art, especially after the last T'ang dynasty models.

1644-1851: Ch'ing: Manchu Emperor - the great age of porcelain, jade and stone carvings.

The last two Chinese dynasties were those that influenced Western art, much of the eighteenth century. Both are known as the Ming (1368-1643) and Qing (1644-1851).

During the dynasties of Ming Dynasty all the arts were very animated. In the manufacture of porcelain of different colors used, the colored enamels, which until now provided the main decoration in the picture frames engraved, became less popular the decorations monochrome models have been developed.

This was the period of china blue white floral motifs in shades of blue were placed in a field of cream, all covered with a bluish glaze very low.

Every now and then the colors are reversed and placed white flowers on a blue background. Towards the end of the Ming period, there is more variety in the art of decorative colors and patterns, and the beginning of the polychrome decoration.

The emperors of the Ching Dynasty, K'ang Hsi (1662-1722) and grand-son Chien Lung (1736-1795), had a great interest in the manufacture of porcelain, and a large trade has been conducted in European countries. The potters of this period reached its highest level in technical skill.

A variety of porcelain were made, including the pattern already discussed with blue and white The most typical of what has been family hawthorn jar, which shows the white hawthorn blossom into a fund that replicates a model of cracked ice.

The design symbolizes the passing of winter and the coming spring. These jars were presented as gifts and the day of Chinese New Year, which occurred later in spring than ours. They were filled with candy, ginger tea or maintained.

Decorative with polychrome enamel colors delicate shades painted on porcelain enamel home href = "https://www.ferche.com/"> frames resulted in the most glorious creations. The enamel paint applied to the surface of the original glass and more permanent ways re-cooked to a temperature lower than the original plans, as the colors of enamel could not withstand the high heat necessary to dismiss the body of the piece itself.

The potters of this period created the famous porcelain and French in terms of black families " Famille Verte 'and the hose from the "Family", used to designate the porcelain enamel decoration of color applied, the prevalence background colors are, respectively, black, green and pink.

This variety of decorative patterns and colors are amazing not been matched, and decorations include a wide variety of floral colors in their natural position in the color of the background described above.

Other trends have been made with scenes from the life scenes of domestic themes of the yard, historical and mythological, the dragon and the phoenix Family feathers the most beautiful landscapes, sacred mountains, butterflies, insects, and other Buddhist symbols, too numerous to mention.

Sarah Martin is a freelance marketing writer specializing in home improvement, interior design, and the history of pottery and hand painted wood frames. For the best in the hardwood moulding industry for everything from engraved picture frames to bar rails, please visit https://www.ferche.com/.